Quirow Demo ArchiveEarly PhotographyDaguerreotype portraits and daguerreian studios

Faces of the Daguerreian Age

Portraits on silver, 1843–1858

1843–1858

For about twenty years after 1839, a portrait photograph was a single, irreplaceable object: a polished silver plate, kept under glass in a hinged case. There was no negative and no second print. These daguerreotypes, now at the National Portrait Gallery, show writers, soldiers, performers, and families who sat very still in front of a lens for one of them.

Image of the original

Frederick Douglass

Portrait of Frederick Douglass. Photograph, c. 1850 (after c. 1847 daguerreotype) Medium: Sixth-plate daguerreotype.

Image of the original

Harriet Beecher Stowe

Portrait of Harriet Elizabeth Beecher Stowe. Photograph, 1852. Medium: Sixth-plate daguerreotype.

Image of the original

Lola Montez

Portrait of Lola Montez. Photograph by Meade Brothers Studio, c. 1858. Medium: Sixth-plate daguerreotype.

Image of the original

Julia Catherine Seymour Conkling

Portrait of Julia Catherine Seymour Conkling. Photograph, 1848. Medium: Sixth-plate daguerreotype with applied color.

Image of the original

Kate Frances Meade and Henry Almon Meade

Portrait of Kate Frances Meade and Henry Almon Meade. Photograph by Meade Brothers Studio, c. 1854. Medium: Sixth-plate daguerreotype.

Image of the original

Thomas “Stonewall” Jackson

Portrait of Thomas Jonathan Jackson. Photograph by H. B. Hull, 1855. Medium: Sixth-plate daguerreotype.

Daguerreotype portraits and daguerreian studios. Archived by Quirow Demo Archive.

Exhibit created with Quirow.